Shifting Gears from Hackschool Project to The Eid Engagement, and Other Weddings

When I finished writing Hackschool Project, I knew the story of the three Moin siblings remained yet to be told. I could see clearly them continuing along the lines where I had left them. With Leena in college, Inaya just having finished her O Levels and Jasir starting Matric, I see many tales of their educational years yet before us. I decided, however, to put the Hackschool Project sequel on hold to make way for a new story to come through. An older story with more mature characters and a different theme from Hackschool Project, exploring the world of young people once they are past their educational years. I decided to explore the topic of choosing someone to marry through the eyes of three friends, two who are already engaged when the story starts, and the main character, Hina, whose process of getting married is the focus of the story. Hina’s experiences of getting engaged and everything that comes with an engagement unfold in a backdrop of commentary from her friends, who have opinions about every step of the process and do not hesitate to share them.

The Eid Engagement, and Other Weddings flows differently from Hackschool Project in terms of how story points connect to each other. The story builds over time as events progress and one thing leads to another. Wedding-level excitement cannot be present in the beginning chapters of the story, where the engagement is still in the planning stages. In this way, The Eid Engagement, and Other Weddings builds from stage to stage: the pre-engagement stage, the engagement ceremony stage, the immediate post-engagement stage, and so on. At every stage, we see the friends’ commentary of it. The friends’ commentary is a recurring occurrence and its regularity in the story is the bar by which each stage is measured. Is it acceptable? Is it fashionable? Is it current? Hina’s friends run her ongoing engagement experiences past their personal standards. Their most strict standard is comparing Hina’s experiences to their own engagements. Hina’s engagement might fail one friend’s standards of being fashionable, or the other friend’s standards of being authentic, but in the end what comes to light is Hina’s development of her own standard. As Hina determines what she wants, she runs her engagement past her friends’ standards and finds it severely lacking. This, combined with her own wishes to get more out of the situation, ultimately leads her to prioritize what is important to herself first. Will she remain bound to her friends’ standards? Will she find what she is looking for in her engagement? Will she fall in love with her fiance? We will find this out together, as I am still writing The Eid Engagement, and Other Weddings at the time of writing this post. If you’re interested in my published work, you may get Hackschool Project, my story about students using the power of family, fun and friendship to survive school life, here at the Mera Qissa bookstore.

Opening up my cabinet of curiosities

I finally took the plunge and registered my dot com domain name (previously I had a wordpress.com address). I was spurred on by the book “Show Your Work” by Austin Kleon. I was further inspired to take the questions from the section of Show Your Work “Open Up Your Cabinet of Curiosities” and to answer the questions here, one at a time.

Where do you get your inspiration?

I get my inspiration from people and their work. Sure, there are times when I get the random idea out of nowhere, but I think that’s just the works I’ve read going through my subconscious and popping into my consciousness after being filtered through my perception.

In a broader sense, I get my inspiration from Pinterest, where I have a private board for story ideas. I pin photos and artwork that makes me think of characters, places or concepts. I get inspiration from my quotes collections, whether written out by hand or saved in MS Word documents that have stood the test of several computer transfers. (Credit goes to Dropbox for that, really.)

In the olden times (before I had an internet connection in the house), I had a Word document called “Iqra’s Mail” that contained everything from actual email to snippets of interestingness, samples of nothingness and everything in between. That “Iqra’s Mail” document is the parent of all my inspirational quote, art and website collections.

I get my inspiration from life. They say write what you know, some say write what you like (that’s Austin Kleon again), I like to do a bit of both. Write what you know of what you like, what you like of what you know, and any other combination you can cook in your mind.

Live, write; write, live. Both occupations feed off each other. That’s inspiration.

Score brownie points, the brownie way

By no means did I make the cupcakes in this picture, but as long as we’re talking baking, why not post an indulgent photo?

I have a sweet tooth, a chocolate tooth and a filled tooth. The latter is a result of the former. In order to keep the filling in its proper place and not yank it out mid-chew, I avoid chewing sticky foods on that side. That means taking a bite of the chocolate, transferring it all to the side which is yet unmolested by the siege of sweetness, and chomping it one-sidedly to slush. My jaw does not like this arrangement. It protests. I insist that I’ve received the “overload” memo. It puts up banners and waves flags. It sends a whole “too much strain on this end” message through flag-waving signals. Finally, I give in. I cut back on the chocolate input through chocolate bars and look for substitutes instead. Chocolate mousse. Chocolate cake. Chocolate ice cream. Chocolate choco latte. You get the idea.

It is every chocoholic’s dream to find something that is rich but not overwhelmingly so. I discovered my something the day I started experimenting with the chocolate input in my homemade brownies. I found out that doubling the amount of less-rich cooking chocolate does not have the same effect as using half the amount of a substantially richer brand, and that the less-rich variety will never last long enough to become part of anything baked anyway; it won’t survive the “just one bite every time I walk past the fridge” attacks. Cocoa powder is convenient because you don’t have to melt it before using it. You also get a lot of mileage out of a good-sized cocoa box because you can’t possibly eat the powder by the spoonful as long as your bitter-detecting taste buds work.

When I finally came up with my ideal form of brownies, I went through a brownie-making whirl before finally putting a mental lock on the cocoa box. My denial meter could only take so much of knowing exactly—how—much—sugar—and—oil—I—was—eating. Store-bought brownies do not have any numbers attached to them apart from the greatly bloated price tag.

Anything homemade, however, serves up a plateful of numbers along with the taste. The number of cups (or ounces, if you prefer) dances in front of your eyes. The sooner you fire up the oven after your previous round of baking, the clearer the numbers are. If you leave a decent interval between consecutive baking times, the numbers disappear—and no, buying a brownie in the interval doesn’t help. Not me, at least. Call me cheap, but I have lost the ability to pay in excess of sixty rupees for a single brownie and enjoy it, especially when I was only paying thirty-five for the same thing last year. The knowledge that I can make just my style of brownie on my own, with butter if I’m feeling indulgent and with olive oil if I’m not, with every step of the procedure in my hands, whereas the ingredients for the store-bought version are goodness-knows-what and it’s been sitting on that shelf for don’t-know-how-long—all this spoils its taste. Add to all that the fact that the bakery brownie is only one and the homemade batch can be made to last for days if you want it to, and you have one seriously turned off baker girl.

Now that I wait a while before bringing out the measuring cups, every step of the process is a delight. When the idea slips into my head and makes me put aside whatever I’m doing, I jump with joy on the way to the kitchen. (My brother’s remark when he once caught his otherwise lost-in-books sister in the act of making an excited hop all alone in her room: “I think I wasn’t supposed to see that.”) I actually like using the measuring cups (there, I admitted it, no matter how many “baking nerd” points that gets me.) I enjoy combining the dry ingredients with the runny ones and seeing them wrestle with each other before blending into one harmoniously gooey mixture (and I get a nice “stirred-up cocoa powder” whiff into the bargain.) The smell of brownies in the oven has a warm homey quality to it that would make a really good air freshener.

Then it’s time to stand and wait for the brownies to cool. Or sit and wait. Or just spear a little bit on a fork to test while waiting. Hmm, that was too hot for me to taste anything, let’s try again after a minute. Ah, much better. I wonder how it’ll taste after another minute. Consequently, one-

quarter of it has disappeared by the time the rest of the household comes up to do justice to whatever remains. In the world of cooking and consuming, there is nothing quite as wonderful as something going from just-ready to just-crumbs in half an hour. Even the most amazing gastronomic wonder pales in attraction if it takes two days of pulling it out of the fridge to chip it down to half the original amount, and even then you have to freeze the remaining half to defrost at a later date (and let’s face it, there’s nothing like stuff that’s freshly made). Putting chocolate love aside, I am able to wait until it has cooled down and then cut it into neat pieces and store them in a lunch box (no cookie jars in a house full of dieters) to snack on when the urge hits or share with others. Sharing cuts the number of calories that end up in your system and spreads brownie love to friends who can’t or don’t work themselves up into the baking zone.

OK, now when I said I enjoyed every step of the process, I wasn’t exactly truthful. I didn’t count the cleaning up that comes after the brownie-consuming frenzy. (What, clean up in the time it takes to cool? Whoever heard of such a thing?) The hands and back must pay for the pleasure of the palate. (If you’re wondering how the back comes in, you’ve never washed dishes standing in front of the sink.) Truth be told, I hardly ever pay this price. I usually add the baking utensils to the rest of the dirty dishes waiting to be attended to by the house help. But I always wash the stuff that comes in contact with eggs. You seriously do not want to leave anything coated with egg standing around for any length of time.

Everyone has something like this—something they can discuss in elaborate detail, something for which they can give way to temporary madness, something that gives them a high. If someone does not, that just means that they haven’t found their thing yet. It’s in them somewhere, it can be more than one, and it can be on any scale. You can make the list as long as you like; there are no limits. The key is that it has to require active effort. Something passive like channel surfing or Internet browsing is a peak for some, but that is because they don’t know what making a video or a webpage feels like. For me, the most thrilling part of the entire process is

not that I get to eat something I love, it’s that I’m able to make something I love, whenever I want, and do whatever I like with it. That is a feeling of empowerment that can’t be matched by anything else.


Originally published in Us Magazine, The News.